Calligraphy Wood Carving Ornamentations

Islamic workmanship is a mix of astuteness and craftsmanship. Specialists in wood cutting ornamentation connected their insight and fine craftsmanship in their exchange particularly while applying adornments in mosques.

Albeit a few examinations have been performed on botanical and geometry woodcarving in Malaysia, dreadfully little consideration has been paid to calligraphy ornamentations. Facilitate learning on calligraphy ornamentation in mosques is required because of the variety of their composition styles (Jawi, Thuluth and Kūfi). This paper shows a discourse on calligraphy woodcarving embellishment as far as substance and composing styles. The Sultan Alauddin Mosque's ornamentations in Jugra, Klang were broke down illustratively as the contextual investigation. The outcomes demonstrated that out of ten unique sentences utilized as a part of the inside enrichment, three sentences demonstrated Prophet Muhammad's announcements (Hadith) and seven sentences indicated Quranic verses.

Islamic workmanship is a mix of astuteness and craftsmanship. Specialists in wood cutting ornamentation connected their insight and fine craftsmanship in their exchange particularly while applying adornments in mosques. Wood cutting enhancement is perceived as a noteworthy social legacy in the Malay building components. This specific workmanship which has been executed either in mosques or houses' beautification for a long time was the sign of a specialist's motivation into a bit of wood. As indicated by Flood (1997), wood cutting enhancement was embraced in building ornamentation since the Umayyad Caliphate controlled the Islamic land from the seventh century and connected this craftsmanship in the development of new mosques.

Timber design which is distinguished as Malaysian vernacular style was utilized in mosque engineering from the eighteenth century and proceeded to the present time (Ahmad, 1999; Feldman, Franseen, Joeckel and Heckel, 2005; Rani, 2012; Said, 2004). Another sort of engineering style which was presented and connected in Malaysia was the frontier style which was utilized as a part of the plan of different sorts of structures, for example, government office structures, royal residences, private houses and mosques. Amid the British occupation in the vicinity of 1795 and 1957, various mosques were raised in light of this specific outline style in Malaysia. By and large, the structures were developed through their adjustment to the geographic zone (Rasdi, 2000). The conventional models basically received coordinated auxiliary components which exhibited great association and coherent structure and in addition being versatile

for the confined condition (Oliver, 2003). After the approach of new innovation at the turn of the twentieth century, draftsmen began to fabricate another style of design and called it "current style" (Ahmad, 1999). In any case, the convention of applying oodcarving ornamentation in mosques still proceeded in new and present day mosques.

Embellishing components were embraced as a piece of mosque segments (Shaffee and Said, 2010; Kamarudin and Said, 2009). In spite of the assortment of ornamentation components in Malaysian mosque, wood carvings are described by its excellence as building frivolity (Said and Kamarudin, 2008; Utaberta, Sojak, Surat, Che-Ani, and Tahir, 2012). The correct utilization of a decent variety of wood carvings in mosque was parallel to the design of the timber structure. Wood cutting ornamentations are sorted into three examples to be specific, geometry, botanical and calligraphy (Campbell, 1989; Panahi, 2012; Utaberta, et al,. 2012). In South-eastern Asia, the dominant part of wood cutting adornment utilized as a part of mosques was flower enhancement as the consequence of the topographical area (Said, 2001). Next to flower designs, one of the primary objects of enthusiasm for Malay conventional wood cutting utilized as a part of the mosques is calligraphic beautification. The Arabic engraving or calligraphy is perceived as a standout amongst the most widely recognized adornment components in mosques. Calligraphy is a masterful written work started from Quranic verses or prophet's addresses "Hadith" (Bayrak, 1988; Schimmel, 1970). This paper presents scientific discoveries of style, substance and significance of calligraphy wood cutting ornamentation utilized as a part of the inside outline of the Sultan Alauddin Mosque, Jugra, Klang.

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Kaligrafi Ukiran - Kaligrafi Arab - Kaligrafi Jepara: Calligraphy Wood Carving Ornamentations
Calligraphy Wood Carving Ornamentations
Islamic workmanship is a mix of astuteness and craftsmanship. Specialists in wood cutting ornamentation connected their insight and fine craftsmanship in their exchange particularly while applying adornments in mosques.
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